Brasted, Howard. "The Politics of Stereotyping, parts 1 and 2." Manushi 98 (1997): 6-16.
The whole notion of persuade and of people held against their will by the Iranians refers subliminally, of course, to the experience of the Western hostages who had recently occupied headlines for over a year. In turn, therefore, there is a hint of brainwashing in the fellow Michigan woman whom Betty Mahmoody meets. She is in untold the same position as Mahmoody but speaks of the "beauties of Islam" and counsels Betty that the best course, for her child's sake, is to go along with her married man's wishes.
She also tells Betty Mahmoody that violence toward one's wife is "not Islamic" and yet makes her last appearance -- after trying to do Mahmoody with her escape plans -- with a bruised face and cut lip. there is, the film have the appearance _or_ semblances to imply, some essential connection between constant cart and adherence to Islam and, in particular, to the 'fundamentalist' Islam of 1980s Iran. Betty Mahmoody is, therefore, positioned as one whose tidy sum is made the emotional equivalent of the hostages. And who, because of her personal will and the depth of her devotion to her daughter is not susceptible to the brainwashing that affects her husband and the Michigan woman and, apparently, the entire society around them.
U.S. should not invade Iran because "Khomeini and his followers, with a Shi'ite affinity for martyrdom, actually might congenial American military action as a substance of uniting the Moslem world against the West" (quoted in Gerges 71). There was, of course, little mention of the heavy dependence of the former administration --repressive but 'modern' -- on financial and military support from the United States -- hence making Khomeini's statements appear to be sheer spitefulness that was entirely without context.
General trends in cultural awareness seem to characterize Mahmoody as she is presented in the film. American citizens in world-wide "are woefully ignorant and misinformed a
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