Edgar Allen Poe, master of the macabre, was one of the most prolific authors of his time. His short stories research the dark side of life, touching on the realms of insanity, death, terror, and fear. In the mental thriller, The Fall of the dramatic art of Usher, Poe examines the mental derangement and dissipation of Roderick Usher. In this tale and his other short stories, setting, in particular architecture and other structural elements contribute significantly to atmosphere and is physically and psychologically symbolic.
Although Ushers mental illness is state to be hereditary, it is the field in which this disease of the mind flourishes. The invention opens on a dull, dark, and soundless day in the surrender of the year, when the clouds hung oppressively low in the heavens. Autumn is chosen because it is a time when the leaves of trees begin to wither away. Adding to the dark atmosphere, Poe never explicitly give ears where the House of Usher is located geographically, creating a sense of indefinity and remoteness. The authour employs similar remote castle settings in Ligeia and The Masque of the expiration Death. In fact, in all three stories, he neglects to mention when the events occur, further adding to the feeling of uneasiness. Without a fixed time and location, the stories argon excluded from the consciousness of the real world.
Similarly, The Fall of the House of Usher and any(prenominal) of Poes other surreal tales including The Pit and the Pendulum and The Masque of the ruby Death are set within the confines of an wrap area, apart from reality. In particular, the remote setting in the House of Usher represents Ushers physical and psychological isolation.
The House of Usher was built in the gothic style, with its sombre tapestries carvings on the ceiling, ebony black...
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