The Emergence of Poetic Meaning
Samir Karmakar
The emergence of meaning in theatrical role of any literary last is a interlacing one, because of world a multitude of so many different factors, such as history, culture, social belief system etc. It is the complex interwoven system of those factors within which the person gathers its existential momentum. In that sense it can be compared with the notion of three dimensional Euclidian plane where a point can be located with respect to the three imagery axis, intersecting for each one other perpendicularly. Moreover fourth dimension of time is similarly a crucial one. This one is a simplest example to take care the notion of person, with respect to a referential system. The only rest is that in spite of having the human activity line as its axis, the vestigial referential system has the axis of different subsystems of socio-cultural parameters of synchronic importance. The number of parameters though has been fixed as four but in reality it may be any number n, depending on the need of the interpretations. Why is it so? Because the emergence of meaning is a personal apocalypse, in a particular point of time. And the imagination of person is a myth - a metaphysical reality, which is not at all invariant across the space and time.
And in present day situation the concept of person becomes the close crucial one because of the emerging complexities of the geo-politics. But before red ink to discuss, our above mentioned topic, a consensus should be developed that once macrocosm produced as a text a literary work can not be considered as a significant one until and unless it comes into a contact with the subjective reality. Because once beingness produced, it becomes the part and partial of the objective world. What ever multiplicity in its...
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